Diccionari Provençal-Français o Dictionnaire de la Langue d’Òc publicat en 1846.
Aguesta publicacion contien es tres volums amassa.
Dictionnaire Provençal-Français ou Langue d’Òc
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Diccionari Provençal-Français o Dictionnaire de la Langue d’Òc publicat en 1846.
Aguesta publicacion contien es tres volums amassa.
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An Introduction to Old Occitan is the only textbook in print for learning the language used by the troubadours in southern France during the Middle Ages. Each of the thirty-two chapters discusses a subject in the study of the language (e.g., stressed vowels, subjunctive mood) and includes an exercise based on a reading of an Occitan text that has been edited afresh for this volume. An essential glossary analyzes every occurrence of every word in the readings and gives cognates in other Romance languages as well as the source of each word in Latin or other languages. The book also contains a list of prefixes, infixes, and suffixes and a dictionary of proper names. An accompanying compact disc includes discussion of the pronunciation of the language, with illustrations from the texts in the book, and musical performances by Elizabeth Aubrey, of the University of Iowa.
A quiet renaissance has been unfolding in certain parts of Europe – a renaissance of literature written in minority languages. In this book, William Calin explores the renaissance through an examination of twentieth-century works in Scots, Breton, and Occitan minority languages flourishing inside the borders of the United Kingdom and France.
For each of the three bodies of literature Calin considers major authors whose works include novels, poetry and plays, and shows that all three literatures have evolved in a like manner, repudiating their romantic folk heritage and turning instead to modern and postmodern concerns. Drawing on current critical theories in periodization, postcolonialism and cultural studies, Calin raises a range of comparative questions: Is there a common form of narrative prevalent in minority cultures that is neither realism nor metafiction? Is the minority-language theatre limited to plots treating past history and the rural present? What is the relationship between the minority literature and literature in the national language? What kind of history should be written on the literatures of Scotland, Brittany and the South of France, manifest in their several languages?
Calin’s pioneering study is the first comparative scrutiny of these minority literatures and the first to bring all three together into the mainstream of present-day criticism. His work demonstrates the intrinsic importance in their twentieth-century renewal, as well as their contribution to global culture, in both aesthetic and broadly human terms.
Aguest vocabulari siguec hèt per Mossen Condò Sambeat e publicat en 1915 en Butlletí de Dialectologia Catalana, der Institut d’Estudis Catalans.
Jusèp Condò, qu’atau ei coma signe eth vocabulari, ei ena memòria de toti es aranesi, coma er emblèma dera persona qu’empleguèc eth bon e autentic aranés en tot que liderèc un renaishement literari, un patriòta, com la nomente Miquèu de Camelat. Condò apareish coma un sabent damb qualitats fonamentades ena inspiracion. Condò ère, tanben, un bon coneishedor deth catalan, talament coma ac testimonie en aguesta madeisha òbra.
Condò publiquèc eth sòn vocabulari damb ua grafia fonetica, definida pera direccion deth Butlletí de Dialectologia Catalana. Ei ua grafia qu’a viatges presente incerteses. Non ei era grafia qu’emplegaue Jusèp Condò abituaument. Mossen Condò, que s’apropèc dera grafia classica, d’aquera qu’ara emplegam nosati, empleguèc, totun, era grafia mercada pera Scolo deras Pireneos de caractèr felibrenc. En tot considerar qu’actuaument era normativa ortografica der aranés ei fòrça definida e coneishuda, presentam aguest vocabulari en grafia normativa, entà ua major comprenença de toti e entà ua mès facila adaptacion ara norma, s’atau ac consideram. Per aguesta rason en quauques transcripcions auem ahijut quauqua letra muda que forme part dera normativa nòsta.
A partir dels parlars lengadocians de mercé los conselhs, mai de trenta ans dereng de Ramon Chatbèrt e lo trabalh fòrt minimós, mai de tres ans dereng, de Sèrgi Gairal, per las correccions e la melhoracion de l’original.Es per aquò qu’es un Diccionari General, un diccionari de l’occitan larg, que fòrça tèrmes, scientifics o pas, son tan provençals, gascons, lemosins, bearneses o auvernhasses. coma lengadocians. Pus precisament, per aiceste parlar, Cantalausa a ensajat de restablir las formas o las accepcions pus etimologicas, e mai se l’evolucion semantica d’una lenga es un fenomèn natural, que los òmes e las societats càmbian.
Aguest document non ei un manuau dera conjugason verbau aranesa. Entad açò s’an conjugat es modèls de vèrbs regulars e es mès significatius des irregulars.
Sous un mot occitan, on trouve tous ses dérivés, leurs sens et leur étymologie ; variantes graphiques et phoniques. Suppléments: table des préfixes et suffixes savants et populaires. Ce dictionnaire bilingue de langue vivante est une base pour l’étude de l’occitan languedocien et de son écriture, comme pour la recherche.
I a pògues causes en lenguatge que donguen tanta escadença ara creativitat com era toponímia. Es colors, es formes, era vegetacion deth territòri; es nòms o es maunòms des sòns estatjants; ua istòria, un avodament, ua legenda o un equipament… quina causa que sigue barrejada damb er engenh dera gent servís entà generar un toponim.
Pr’amor d’açò, es nòms de lòc mos diden plen de causes sus es abitants, sus es origines o sus era natura de cada endret e son capables de crear un trincadís de colors plan variats que balhe personalitat a cada cornèr deth país.
Mès es toponims son tanben informacion, descripcion precisa, coordenada exacta enes mapes, nomenclators urbans, bases de donades o guides. Son un element indispensable de guidatge e de referéncia sus un territòri plen de persones en movement.
Aguesti dus aspèctes son es qu’an encoratjat ara Comission de Toponímia de Catalonha tà aufrir as municipis e tà toti es qu’agen de trabalhar damb nòms de lòc, uns Critèris que mos an de perméter preservar plan viua era riquesa culturau qu’era toponímia represente e adobar-la entà hèr-la utila.
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