Diccionari Provençal-Français o Dictionnaire de la Langue d’Òc publicat en 1846.
Aguesta publicacion contien es tres volums amassa.
Dictionnaire Provençal-Français ou Langue d’Òc
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Diccionari Provençal-Français o Dictionnaire de la Langue d’Òc publicat en 1846.
Aguesta publicacion contien es tres volums amassa.
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Ce guide, conçu par Florian Vernet est une première approche que vous pourrez compléter par la lecture de son livre Dictionnaire grammatical de l’occitan languedocien, disponible aux Presses Universitaires de la Méditerranée.
Like Old French, from the 9th to the 13th century, Old Occitan preserved the two-case system of Vulgar Latin, subjective and objective, and it seems that until the middle of the 12th century, the written and spoken languages were identical. Then, the distinction between the cases disappeared in spoken usage, though they still persisted in the written texts of the Trobadors. This period can be qualified as the Golden Age or the time of the Trobadors.
A second period ranges from the beginning of the 14th century to the middle of the 16th. It is characterized by the dropping altogether of the flexions in witten texts, by the beginning of dialectization, the dropping of courteous vocabulary and the use of learned words borrowed from Latin and Greek to express law, medecine, philosophy and theology. Occitan was no longer a literary language, but it was used to write the deeds, the accounts, the chronicles and the resolutions of local communities. Since the second half of the 16th century to our days, Occitan was banned from written documents, and reduced to oral usage only, mainly by country and working people, in their everyday life, at work or at home.
Aguest document qu’auetz enes mans, non ei era còpia de un aute document, non ei tanpòc era traduccion d’ua òbra Ei era adaptacion d’ua setantia de pagines der estudi mès seriós que s’a hèt der aranés, entà convertir-lo en prenormativa.
Aguest trabalh convertís a Joan Coromines en normativizador dera varietat aranesa dera lengua occitana. Er Institut d’Estudis Aranesi a profitat d’aqueres aportacions extraordinàries que mos oferís e les a encaishat en procès pròpri dera Acadèmia.
Era lengua la hèm entre toti e damb aguest trabalh apropam eth nòste «toti» actuau ath «toti» de hè cent ans, espandim era basa documentau, e hugem de decisions totalitàries.
Se Coromines escriuec eth sòn trabalh en ua grafia pròpria entar aranés, non siguec pas per ua volentat antinormativa: “Coromines havia viscut la trajectòria difícil de compleció de la llengua normativa d’una manera directa, primer a través del seu pare, que era membre de l’Institut, i després treballant al costat de Fabra. Justament col·laborà amb aquest, amarat de l’experiència catalana, per a elaborar unes normes ortogràfiques de l’aranès, dialecte gascó plaçat en territori administratiu català, basades en la tradició occitana però amb concessions a la catalana (ny i no nh, x i no ch, ll i no lh), justificable potser per no haver vist encara la llum la Gramatica occitana d’Alibert (1935) però que no s’acaba d’entendre des d’una perspectiva global occitana.
Aguest document non ei un manuau dera conjugason verbau aranesa. Entad açò s’an conjugat es modèls de vèrbs regulars e es mès significatius des irregulars.
A quiet renaissance has been unfolding in certain parts of Europe – a renaissance of literature written in minority languages. In this book, William Calin explores the renaissance through an examination of twentieth-century works in Scots, Breton, and Occitan minority languages flourishing inside the borders of the United Kingdom and France.
For each of the three bodies of literature Calin considers major authors whose works include novels, poetry and plays, and shows that all three literatures have evolved in a like manner, repudiating their romantic folk heritage and turning instead to modern and postmodern concerns. Drawing on current critical theories in periodization, postcolonialism and cultural studies, Calin raises a range of comparative questions: Is there a common form of narrative prevalent in minority cultures that is neither realism nor metafiction? Is the minority-language theatre limited to plots treating past history and the rural present? What is the relationship between the minority literature and literature in the national language? What kind of history should be written on the literatures of Scotland, Brittany and the South of France, manifest in their several languages?
Calin’s pioneering study is the first comparative scrutiny of these minority literatures and the first to bring all three together into the mainstream of present-day criticism. His work demonstrates the intrinsic importance in their twentieth-century renewal, as well as their contribution to global culture, in both aesthetic and broadly human terms.
Aguest vocabulari siguec elaborat prumèrament peth TERMCAT, Centre de Terminologia dera Generalitat de Catalonha, en 2003, entath catalan e d’autes lengües (castelhan, francés, anglés). En 2009 eth vocabulari auec era introduccion des tèrmes en occitan. Eth trabalh d’adaptacion ar occitan siguec hèt per Claudi Balaguer, membre deth GLO, e aprovat peth Grop de Lingüistica Occitana (GLO), Grop assessor dera Generalitat de Catalonha en matèria de lengua occitana. Claudi Balaguer ei membre dera Acadèmia aranesa dera lengua occitana. En aqueth moment aguest vocabulari siguec hèt damb volontat de lengua generau o estandard.
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